A Woman, A Part examines a transformational moment in the life of Anna Baskin, a smart, successful actress in an emotional, physical, and professional crisis. Played by Sons of Anarchy and Mad Men star MAGGIE SIFF, Anna is known for the crisply professional yet emotionally one dimensional woman she plays on a mind-numbing TV series. She finds herself imprisoned by this role, and unable to locate the passion that caused her to embrace acting in the first place.
Dependent on Ritalin and her assistant to get her through her days, Anna is falling apart.She abruptly walks off her show in LA and runs away to NYC to squat in her old rent stabilized apartment in Brooklyn. Her return to New York blindsides her old theater friends and past loves whose lives she unwittingly changed when she left for Hollywood years earlier. Primary non contributory auto endorsement. Drifting through a transformed, gentrifying New York, Anna seeks insight from healers, meditation teachers, one-night stands, and her old friends, trying to find her way back to an authentic self.Through the lens of all of this, I was also able to explore many other ideas in this film, like the line between acting and being, sexism in the film industry, the mediated/medicated self, the depth and complexity of friendship, gentrification as phenomenon and metaphor, the desire to escape one’s life, and the impossibility of overnight change.
WHO CARES ABOUT ACTRESSES? Of all possible women characters, how did I ever end up writing about an actress? Having spent two decades making films and art about women’s experiences from a feminist perspective, I realized that actresses are the ultimate representation of women - they tell our culture who and what a woman is, what she wants and feels.The irony is that actresses rarely have any say in the parts they play, so their representations are rarely their own. I was interested in the story of a woman struggling to take control of her representation, and trying to rewrite her own life by facing her past. The film is about the responsibility and consequences of taking that on. I also write a blog on this subject that I’d love for you to check out -.
THE CASTMAGGIE SIFF. Best known for her seven seasons as “Tara Knowles” on the hit FX series Sons of Anarchy, Maggie Siff is a Los Angeles-based actress hailed for her work in television, on stage and in independent film. She made her debut as department store heiress “Rachel Menken” on the first season of the award-winning AMC series, Mad Men, and will star opposite Paul Giamatti and Damian Lewis in the new Showtime series Billions.
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She has had recurring roles on Nip/Tuck and Life On Mars as well as guest roles on Grey’s Anatomy and Law & Order. On the big screen, Siff has been seen opposite Edward Norton in Tim Blake Nelson’s feature film, Leaves of Grass. She also appeared in Paul McGuigan’s Push with Djimon Hounsou and Dakota Fanning as well as Judd Apatow’s Funny People with Adam Sandler. Most recently, Siff appeared in the Sundance 2013 Dramatic Competition film Concussion, released by Radius/TWC in the Fall 2013.CARA SEYMOUR. Cara Seymour has worked with some of the most respected and talented directors in the film world, including Martin Scorsese, Lars Von Trier, and Spike Jones. Recent movies include the Sundance award winner An Education, The Music Never Stopped and Jack and Diane. She currently co-stars in Steven Soderbergh’s Cinemax mini-series The Knick, playing Sister Harriet, an Irish nurse and midwife “who backs down from nothing and no one.” She has won considerable acclaim on the New York Stage, appearing in the New Group's Obie winning productions of Mike Leigh's Ecstasy and Goosepimples, The Public Theater production of Caryl Churchill's The Skriker and Noel Coward's Present Laughter at The Walter Kerr Theater on Broadway.
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In 2010/11 she premiered the critically acclaimed adaptation of James Joyce's Ulysses with Patrick Fitzgerald. In 2012/13 she played Lily in the highly acclaimed hit production of Brian Friel's Freedom of the City at The Irish Rep.JOHN ORTIZ. John Ortiz is an award-winning actor who honed his craft on the theatrical stage of New York. He won the Obie Award for Best Actor in the Off-Broadway production of References to Salvador Dali Make Me Hot, and was nominated for an Independent Spirit Award for his performance in the indie film Jack Goes Boating.John is currently filming the studio feature Kong: Skull Island starring Tom Hiddleston, Brie Larson, Samuel L Jackson and John Goodman. He just wrapped Going in Style starring Morgan Freeman and Michael Caine and directed by Zach Braff. He can currently be seen in Steve Jobs starring Michael Fassbender and Kate Winslet. John was in the Academy Award-nominated film Silver Linings Playbook.
Ortiz can be seen in the film version of Jack Goes Boating, which he not only starred in but also produced with Phillip Seymour Hoffman. Other credits include Public Enemies, Fast & Furious 6, and Pride and Glory.On television, Ortiz starred opposite Greg Kinear in Fox’s Rake. He can be seen in the HBO series Togetherness starring Amanda Peet and Melanie Lynskey. He starred opposite Dustin Hoffman in the cable series Luck. He was also a series regular on Clubhouse, The Job and Lush Life.Along with acclaimed actor Philip Seymour Hoffman, Ortiz is the co-founder of LAByrinth Theater Company, where he has produced and performed in many productions, including The Last Days of Judas Iscariot, directed by Hoffman; Jesus Hopped The ‘A’ Train, for which he was awarded a Drama Desk nomination; and Guinea Pig Solo and Jack Goes Boating.
Khandi Alexander is well known for her award-winning roles in Scandal, Treme and CSI Miami. Her theater credits include Chicago, starring as 'Velma Kelly,' at the Shubert Theater in L.A. As well as leading roles in Bones, Does a Tiger Wear a Necktie, The Horrible and Tragic Life of the Singing Nun and The Wedding Band. After iconic turns in the feature films CB4 and There’s Something about Mary, Alexander starred in the indie film The Assault, where she plays a detective determined to seek justice for a rape of a high school student. Most recently viewers reveled in her Emmy-nominated portrayal of 'Mama Pope' in ABC's Scandal opposite Kerry Washington and Joe Morton and she received critical acclaim for her role opposite Queen Latifah in HBO's Bessie for director Dee Rees.
“Elisabeth is a passionate, driven filmmaker hell bent on creating complex dramatic roles for women, and exploring their lives through a richly visual and emotional lens. Featuring the marvelous Maggie Siff, A Woman A Part promises to be her most powerful film to date.” - Jill Soloway, TransparentElisabeth Subrin’s critically acclaimed, award-winning films and video art have screened widely internationally, including at The New York Film Festival, The Rotterdam International Film Festival, The Vienna Viennale, The Whitney Biennial, The Sundance Channel and New York’s Museum of Modern Art.
She's the recipient of awards from the Los Angeles Film Critic’s Association, The New England Film Festival, and the USA Film Festival, among others. Her film Shulie was selected for the once-a- decade British Film Institute’s Sight&Sound critic’s poll of “Greatest Films Ever.” Her 2010 retrospective at Sue Scott Gallery was included in “Best Of ” lists from the New York Times and TimeOut/NY, and her 2-channel film Lost Tribes and Promised Lands subsequently traveled to museums in Paris, Stockholm, Milwaukee, Pittsburgh, MoMA/PS1’s “Greater New York,” and was featured in VOLTA/NY.Subrin participated in The Sundance Institute Feature Film Directing and Screenwriting Labs with her first feature screenplay, Up. A 2002 Guggenheim Fellow, she's also received grants and fellowships from The Rockefeller, Annenberg, Creative Capital and Andrea Frank Foundations. She’s received commissions for new projects from The Danish Arts Council/DaNY Arts, Participant, Inc., The Institute of Contemporary Art, Philadelphia, Sue Scott Gallery, New York, and The MacDowell Colony. Her work has been featured in The New York Times, The New Yorker, Artforum, Film Comment, Frieze, BOMB, LA Weekly and Filmmaker Magazine. Subrin teaches in the Film and Media Arts Department at Temple University and lives in Brooklyn.PRODUCER SCOTT MACAULAY.
Scott Macaulay is a New York-based film producer. With Robin O’Hara, he has produced or executive produced many award-winning features, including: Peter Sollett’s Raising Victor Vargas; Harmony Korine’s Gummo (as co-producer) and julien donkey-boy; Alice Wu’s Saving Face; Tom Noonan’s Sundance Grand Jury Prize-winning What Happened Was and his follow-up feature, The Wife; Jesse Peretz’s The Chateau; Bryan Barber’s Idlewild; John Leguizamo’s Undefeated; and James Ponsoldt’s Off the Black. Macaulay is also the Editor-in-Chief and co-founder of Filmmaker, a quarterly magazine and daily-updated website published by IFP. He has lectured on independent film and taught seminars for filmmakers at CPH:DOX Lab in Copenhagen, the Dubai International Film Festival and, last year, at the newly created Venice Biennale College Cinema.PRODUCER SHRIHARI SATHE. Shrihari Sathe is a New York and Mumbai based independent filmmaker and producer. Sathe produced Jaron Henrie-McCrea's Pervertigo which world premiered at the 2012 Warsaw and Mumbai film festivals and was a part of the 2011 IFP Independent Filmmaker Labs. Sathe's sophomore production Eliza Hittman's It Felt Like Love which premiered at 2013 Sundance Film Festival and 2013 International Film Festival Rotterdam to great reviews.
When viewers first met Richard Castle, a famous mystery novelist, he was creatively blocked. Now that she's been promoted to Captain, how will New York's famous couple adapt in Season 8? Once that initial case was solved, Castle and Beckett continued to investigate strange homicides in New York, combining Castle's writer intuition and Beckett's creative detective work. In the Season 7 finale, Beckett was faced with a choice about her future. But when the NYPD questioned him in connection with a series of murders staged to imitate crime scenes from his books, Castle found inspiration in NYPD Detective Kate Beckett. Lost season 6 episode 18 torrent.
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Sathe is a 2013 Sundance Institute Creative Producing Fellow and has received fellowships from the HFPA, PGA, IFP, Film Independent, and The Sundance Institute to name a few.Sathe is a Trans Atlantic Partners fellow (2013) and Cannes Producer's Network fellow (2014, 2015). He is a co-producer on Partho Sen-gupta's Arunoday (Sunrise) which world premiered at the 2014 Busan International Film Festival and Afia Nathaniel's Dukhtar (Daughter) which world premiered at 2014 Toronto International Film Festival and is currently in theatrical release in North America. Sathe's feature directorial debut – Ek Hazarachi Note (1000 Rupee Note) won the Special Jury Award and Centenary Award for Best Film at the 2014 International Film Festival of India and has received over 30 awards.
He is currently in post-production on Ed Blythe's Man With Van (2011 Film Independent Producers Lab) and Subrin’s A Woman, A Part.KICKSTARTER CREWSpecial thanks to the DP of the Kickstarter video Maria Rusche, to who contributed the music, to set photographers Chris Wilcha and Sahid Limon for the images on this page, and to Iyabo Boyd who helped keep us organized. GET INVOLVED. Kickstarter is a great way to support creative projects like this one - all contributions to our campaign will go directly to the final edit, sound design, score, color correction, and delivery of the film. With your help, we’ll accomplish all of that, and A Woman, A Part can then play film festivals around the world, and hopefully in a theater near you!To get involved either choose one of the Rewards on the right-hand column of this page, or click the big green 'Back This Project' button at the top right. Please note that the campaign only lasts until Friday, January 8th, at 8:30pm Eastern! Since Kickstarter is an 'all-or-nothing' platform, we absolutely have to make our goal by that time, or else we lose all the funds pledged. Here's a still from the.Special Reward.
of a digital download of Elisabeth's short film The Caretakers, starring AWAP cast member Cara Seymour. A commission for The MacDowell Colony's Centennial Celebration, The Caretakers traces the unraveling of a writer as she begins a residency at a legendary artist colony, haunted by the aura of former artists who worked there. Stripped of her urban, career-driven preoccupations, Cleo finds herself unable to connect with the quiet new world around her. A chance encounter with a mysterious former housekeeper challenges Cleo's understanding of the interdependencies between art making, care-taking and love. Inspired by myths and memoirs of former MacDowell artists, it's an ode to the gift of creative space.
Risks and challengesIn terms of risks and challenges, we feel beyond confident that the film will be completed, especially with your help!There are a few rewards that involve our cast, who are very much in-demand working professionals. And though they are committed to this film and are incredibly supportive of this campaign, its possible that scheduling their Rewards with Backers may be challenging with their unpredictable day-to-day lives. We pledge to do our absolute best though to deliver those cast based Rewards on time. We appreciate your patience and flexibility in this!
Download time attendance software. The MRC permanent collection comprises materials in a wide range of subject fields, with emphasis on titles with broad interdisciplinary interest and resources used in instruction on the UC Berkeley campus. The collection includes documentaries and feature films; dramatic performances; literary adaptations; speeches; lectures and events; and primary source recordings, such as historic TV commercials and newsreels. The MRC is home to one of the strongest collections of works by independent film and video makers in the US.
Julien Donkey-Boy is a 1999. It tells the story of the titular Julien (Ewen Bremner), a Paranoid Schizophrenic man living in New York with his pregnant sister, Pearl (, Korine's girlfriend at the time), his aspiring Wrestler brother, Chris (Evan Neumann), and their (German Director ).
(Korine's grandmother, Joyce). Include a no-armed, relentlessly positive Drummer (Alvin Law), a Black Albino straight from Alabama (Victor Varnado), an innocent, near blind girl (Chrissy Kobylak), and a (Tom Mullica).
Lacking a traditional narrative, Julien Donkey-Boy presents a series of vignettes following these bizarre characters in their daily lives. This film provides examples of:.:.
At some points Dad seems eccentric, a bit stern, but loving, other times he's calling Pearl a 'Dilettante and a slut,' and paying Chris $10 to put on his dead mother's dress and dance with him. 'Cause he.: Debatable, but Julien's encounter with a young boy and his turtle definitely into the nature of his psyche.: Julien is the father of Pearl's baby. The exact circumstances of how or why this happened are only obliquely referenced in a series of polaroids.: Dogme #6, the first non European, as well as first American, Dogme film. Praised Korine for interpreting the notorious strictures of the Manifesto in a creative way.
Taking after Dogme and 's 'Minnesota Declaration,' Korine criterion for making personal, artistic films, wherein he declared Dogme 'Early Mistakeism.' .: Also.: At one point Julien brandishes a BB gun at a poster of. 'You killed the Jews, you killed the Hippies, you killed all the mothers' titties!' .: In one notable scene,.: ain't got nothin' on Julien Donkey Boy.: Dad's dislike of 'Artsy-Fartsy' things. Considering he's played by, this is likely intentional.: 'THE WIND IS BLIND, THE WIND IS BLIND, THE WIND IS BLIND.' Considering his daily habits, he's clearly not a stable individual. Julien himself also counts.: Pearl, notwithstanding.: Continues 's practice of interspersing faded polaroids, footage, and vignettes into a non standard Narrative.
Adds to it the principles of Lars von Trier and Thomas Vinterberg's Dogme 95 Movement, including extensive hand held camerawork, an eschewing of non-diegetic music, filming in grainy Digital Video, and leaving the director uncredited (Though Korine did include his name in the credits, just not with 'Directed By').: Yup.: One interpretation, including 's.: 'WELL. BLACK ALBINO, STRAIGHT FROM ALABAMA, WAY DOWN SOUTH, AND Y'KNOW THAT I'M. BLACK ALBINO, STRAIGHT FROM ALABAMA.'
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